Architects- The Here And Now: Album Review

For a few decades now, the U.K. has had many world-renowned rock bands that have released records that top the charts in almost every major country. Architects, a lesser-known metalcore band from Brighton, England, may not be at the top of the charts, but their most recent album The Here And Now, gives critics of the scene a run for their money.

I had the opportunity to meet Architects' vocalist Sam Carter at a show they played back in November 2010. One key thing he told me as we were talking was to "get excited" for the new album because "it's some of the best stuff [they've] written". Needless to say, Carter's little words of advise (since I don't know what else it could be considered) gave me a good idea of what to expect from the album: the album that this band has been working towards since their origination.

The album starts off with "Day In Day Out", which is a track any metalcore fan can enjoy: a heavy main riff with a powerful chorus that Carter's vocals shine in. The third track, "Delete, Rewind", which they actually played at the show back in November, has a breakdown that makes those avid rock show-goers want to dance, headbang, or whatever you may want to do to jam to this song.

There are two main differences between this album and previous Architects albums. One of these is that there are two slower-paced, mellow songs on this album, which is two more than they have on any other album. "An Open Letter to Myself" is like this, until the last minute, until the pace picks up and Carter screams in the song a couple times. "Heartburn" gives us a calming melody on the acoustic guitar, then the drums explode, yet keep that calm melody given by the acoustic guitar. These songs are two main highlights on the album, for those looking for something different from this band.

The other main difference on this album is Sam Carter's vocals. His singing and screaming on this are what I'd consider less aggressive than previous albums, such as Hollow Crown or Ruin. I'm not one for changing one's singing style, but this may be my only exception. He does very well on The Here And Now regardless of his newer vocal style.

The Bassline:
This album is very good, despite the changes in vocal style. Any metalcore fan could enjoy this album. 4 out of 5 stars. If I ever meet Sam Carter again, I'll have to show him this. He'll definitely enjoy it, or at least I hope he will.